ビッグサイトで開催されたGEISAI#22 Classicに出展してきました。
「Noting」
稲の上を鳥が飛んでいます。１８７０年頃まで日本では税を米で徴収していました。富の象徴は、お金では無く米でした。
日本で稲作が広まったのが４世紀頃です。私達はテクノロジーと共に進化し続けて来たと感じています。
しかし、この田園風景は建物の様式が変わっただけで
１６００年の経過を殆ど感じさせません。これから先も大きな変化は無いのかもしれません。
大昔から私達は何かしらの共同体の中で
生産活動をしながら生きてきました。「自分 家族 友達 村 国」など色々な境界線が引かれた世界で生き続けています。
この写真も「田 街 空 雲」が綺麗なレイヤーで分かれています。
「お米＝富」の上に街があり、その上に雲があり空が広がっています
その構造世界の中を「鳥＝自分」が自由に飛んでいます。
A bird flies over rice. until around 1870, taxes in Japan were collected in rice.
The symbol of wealth was not money, but rice. Rice cultivation spread in Japan around the 4th century.spread in Japan
around the 4th century. I feel that we have continued to evolve along with technology.
I feel that we have continued to evolve along with technology.
However, this rural landscape hardly shows the passage of 1600 years,
only the style of the buildings has changed.and we can hardly feel the passage of 1,600 years.
There may be no major changes in the future.
Perhaps there will be no major changes in the future. Since ancient times, we have lived in some kind of community
We have been living while engaging in productive activities in some kind of community.
We continue to live in a world where various boundaries are drawn, such as “myself, family, friends, village, country, etc.”
We continue to live in a world where various boundaries are drawn.
In this photo, too, “rice field, town, sky, and clouds” are beautifully layered.The city is on top of the “rice (wealth),
” and the sky is above it with clouds.In that structural world, “bird = self” is flying freely.
私達は「生まれる前 眠っている間 死後」には自分の周りにある物や自分という物すら
知覚する事ができません。
夢を見ている時は、夢の世界が現実となります。止まった鳥は「死 睡眠 生まれる前」
荒野は「知覚する事の出来ない世界 夢の中の世界」
止まり木は「自分の拠り所にしている共同体 肉体」を表しています。
「荒野の世界」にも「稲の世界」にも空は共通して存在しています。
空は私達が空と呼んでいるだけで物質的なモノでは無いからです。
Before we are born, while we are sleeping, and after we die,
we cannot even perceive what is around us or who we are.
When we dream, the dream world becomes reality.
A perched bird is “death, sleep, before birth,
” and the wilderness is “the world we cannot perceive, the world of our dreams.”
The perched tree represents “the body, the community on which one relies.
Both the wilderness and the rice world have the sky in common.
The sky is not a material thing, just something we call the sky.
赤い線はその瞬間には点として存在しています。
点の連続が線となって動きとなります。
鳥は飛んでいるのでしょうか？ それとも、止まっているのでしょうか？
写真を撮ると時間が消えてしまいます。
白黒の写真を撮ると色が消えてしまいます。写真に写る鉛筆は鉛筆では
ありません写真を撮ると名前が消えてしまいます。
時間が消え、色が消え、名前が消え、
撮影者である自分も被写体も、いずれは消えていきます。
写真に写る物とは一体何なのでしょうか
The paint on the wall is a material object such as “body, society, and pencil.
The peeling paint represents insubstantial things such as “mind, ego, and consciousness.
The red line running trackless looks like the flight path of a bird or our consciousness.
By peeling off the paint, the bird is able to fly around,
but at the same time, it is trapped in the space where the paint has peeled off.
But at the same time, we can say that the bird is trapped in the space where the paint has peeled off.
It is just like us who can only live in some kind of container.
The thick wall itself has an infinite layered structure. Something exists outside the wall.
The red line exists as a point at that moment.
A series of dots becomes a line, which becomes movement.
Is the bird flying? Or is it standing still?
When you take a picture, time disappears.
If you take a black-and-white photo, color disappears. A pencil in a photo is not a pencil.
When you take a picture, your name disappears.
Time disappears, color disappears, name disappears,
Both you, the photographer, and the subject will eventually disappear.
What exactly is the thing captured in a photograph?
